Manar Moursi Website
Storm Over Cairo will be published by Edition Fink, Zurich, at the end of 2024. It is supported by the Canada Council for the Arts, an Al Serkal Research Grant and a Mophradat Writing Sabbatical Grant.

My text was edited and read by the following interlocutors, who generously shared feedback that was formative to the writing: Amy Cheung, Elizabeth Fox, Iman Mersal, David Puig, Thalia Rubio, and Sarah Sarofim.
Blue-Black
Rivering Together – Publication
Funeral at the Edge of Drought (WIP)
Blue-Black Liver
Rivering Together – Publication
Funeral at the Edge of Drought (WIP)
Rivering Together – Publication
Summer, God, Rain
Rainbow Moon
Mist Me: Me Mist
Two Stones and Heaven is a Fountain in the Garden of Your Veins
Everything That Remains to be Lived
Dismemberment: Night in Mourning
Rivering Together
Palm Beach
A Light, A Loudspeaker, A Tower
The Loudspeaker and the Tower at TSV
The Loudspeaker and the Tower Zine
The Loudspeaker and the Tower at KAG
Mud, Minarets, and Meaningless Events
Stairway to Heaven
Storm Over Cairo  
Mummy Issues Part I: I am not your Mummy
Mummy Issues: Part II: Platanos y Momias
Wonderbox
You can’t Get Blood From A Stone
Bermuda Chairs, In the Sidewalk Salon
Sidewalk Salon: 1001 Street Chairs in Cairo  
Sidewalk Salon at Pikaro  
Sidewalk Salon at Onomatopoee  
Parks Under Siege
My country is not a suitcase, and I am not a traveler 
Kodak Green Oasis
 Transient Utopias
Ladders and Ladders
Making "Sense": In Search of Lost Weather 
Courtyard House
Deliciosa
Evaporative Clay, Palm Crate Canopy Kit
S-Table
Air, Earth, and Sky
Bamiyan Cultural Center
Mapping Cairo
Off The Gireed
Q House
Sand Sedge House
Science City 
Screen House 
Small Talk 
Storm Over Cairo Coming soon in 2024

Storm Over Cairo is an artist publication created as part of The Loudspeaker and the Tower project, taking readers on a journey along Cairo's ring road and roads tracing the Nile. It brings to life new desert housing projects, illegally built mosques on agricultural land, and the city's rich soundscapes, while also interweaving ghosts from my past. After nearly ten years of photographing new mosque constructions and interviewing residents, I merge these voices with a personal essay on migration, grief, and gender tensions, all within the framework of a circular narrative that mirrors my physical and spiritual journey on the ring road.  

The publication consists of two parts: newspaper zines and a book. The zines, placed inside the book, are organized by specific roads and contain photographs that accumulate physical imprints from readers' bodies, echoing how Cairo's landscape is shaped by the actions of its inhabitants. This tactile interaction adds a personal dimension, turning the newspapers into unique artifacts. The use of this format, often linked to state media and propaganda, mirrors how informally built mosques project alternative narratives through their loudspeakers, subverting official discourse. In this way, the project explores themes of surveillance, control, and resistance, while the accompanying book weaves together interviews and personal reflections to offer a multi-layered exploration of Cairo's urban and socio-political landscape.


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