Manar Moursi Website
3D modeling and printing by Daniel Mouret.
Blue-Black
Rivering Together – Publication
Funeral at the Edge of Drought (WIP)
Blue-Black Liver
Rivering Together – Publication
Funeral at the Edge of Drought (WIP)
Rivering Together – Publication
Summer, God, Rain
Rainbow Moon
Mist Me: Me Mist
Two Stones and Heaven is a Fountain in the Garden of Your Veins
Everything That Remains to be Lived
Dismemberment: Night in Mourning
Rivering Together
Palm Beach
A Light, A Loudspeaker, A Tower
The Loudspeaker and the Tower at TSV
The Loudspeaker and the Tower Zine
The Loudspeaker and the Tower at KAG
Mud, Minarets, and Meaningless Events
Stairway to Heaven
Storm Over Cairo  
Mummy Issues Part I: I am not your Mummy
Mummy Issues: Part II: Platanos y Momias
Wonderbox
You can’t Get Blood From A Stone
Bermuda Chairs, In the Sidewalk Salon
Sidewalk Salon: 1001 Street Chairs in Cairo  
Sidewalk Salon at Pikaro  
Sidewalk Salon at Onomatopoee  
Parks Under Siege
My country is not a suitcase, and I am not a traveler 
Kodak Green Oasis
 Transient Utopias
Ladders and Ladders
Making "Sense": In Search of Lost Weather 
Courtyard House
Deliciosa
Evaporative Clay, Palm Crate Canopy Kit
S-Table
Air, Earth, and Sky
Bamiyan Cultural Center
Mapping Cairo
Off The Gireed
Q House
Sand Sedge House
Science City 
Screen House 
Small Talk 
My country is not a suitcase, and I am not a traveler   Souvenirs: New York Icons, Storefront for Art and Architecture, New York City, 2017

My country is not a suitcase, and I am not a traveler was part of the exhibition Souvenirs: New New York Icons, which took place at Storefront for Art and Architecture in 2017. The exhibition aimed to challenge traditional symbols of collective imagination by commissioning artists, architects, and designers to create contemporary souvenirs that reflect the evolving values of urban life—moving beyond mere aesthetics and commercialization. Each participant was assigned a specific neighborhood, area, or geographic boundary within New York City's five boroughs to inspire their work. Assigned to the borough of Queens, I drew inspiration from the architectural forms of the 1939 World Fair, particularly the iconic Trylon and Perisphere structures, located near the edges of Community Board 8. The imagery of the globe (the Perisphere) and the obelisk (the Trylon) was especially fitting, serving as a symbol of both the historical significance of the World Fair and the cultural diversity that defines Queens today. Within my sculpture, a reinterpretation of the 1939 World Fair globe, I created a "snow globe" that draws on the familiar language of tourist souvenirs. However, instead of celebrating the past, this piece honors immigration and the rich diversity it has brought to Queens. Inside the globe, I embedded floating trinkets—suitcases, clothing, planes, boats, and figures of various colors—each representing the movement, objects, and lives that immigration carries with it.

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