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I was the design author and supported by Rowan Kandil in the production of the renders and visuals. This proposal was created during the Still City Workshop, organized by Monnik (Edwin Gardner and Christian Fruneaux) in Tokyo in 2012. It was published in the Still City Tokyo Guide by Flick Studio in 2015.   

The project was also exhibited at the Miller Institute for Contemporary Art in 2016, and featured in an article in Lunch Magazine, Charlottesville, Virginia.
Blue-Black
Rivering Together – Publication
Funeral at the Edge of Drought (WIP)
Blue-Black Liver
Rivering Together – Publication
Funeral at the Edge of Drought (WIP)
Rivering Together – Publication
Summer, God, Rain
Rainbow Moon
Mist Me: Me Mist
Two Stones and Heaven is a Fountain in the Garden of Your Veins
Everything That Remains to be Lived
Dismemberment: Night in Mourning
Rivering Together
Palm Beach
A Light, A Loudspeaker, A Tower
The Loudspeaker and the Tower at TSV
The Loudspeaker and the Tower Zine
The Loudspeaker and the Tower at KAG
Mud, Minarets, and Meaningless Events
Stairway to Heaven
Storm Over Cairo  
Mummy Issues Part I: I am not your Mummy
Mummy Issues: Part II: Platanos y Momias
Wonderbox
You can’t Get Blood From A Stone
Bermuda Chairs, In the Sidewalk Salon
Sidewalk Salon: 1001 Street Chairs in Cairo  
Sidewalk Salon at Pikaro  
Sidewalk Salon at Onomatopoee  
Parks Under Siege
My country is not a suitcase, and I am not a traveler 
Kodak Green Oasis
 Transient Utopias
Ladders and Ladders
Making "Sense": In Search of Lost Weather 
Courtyard House
Deliciosa
Evaporative Clay, Palm Crate Canopy Kit
S-Table
Air, Earth, and Sky
Bamiyan Cultural Center
Mapping Cairo
Off The Gireed
Q House
Sand Sedge House
Science City 
Screen House 
Small Talk 
Transient Utopias: A Scenario for Pink Plastic Islands Still City, Tokyo, Cairo, 2012

In a post-global warming world with rising sea levels, where remnants of human existence may be plastic, this proposal envisions living on floating plastic patches as islands. Inspired by narratives like Ibn Tufail’s Hayy ibn Yaqzan and Octavia Butler’s Parable of the Sower, it explores how isolation and constant climate flux could push society to replace rigid structures with flexibility, community, and adaptability. Developed during a one-month residency in Tokyo, the concept utilizes ubiquitous plastic crates to create modular, floating habitats in an apocalyptic flooding scenario. Drawing from the Japanese Metabolist movement of the 1960s and 70s, particularly Kiyonori Kikutake’s vision of floating, nomadic cities that transform into reefs, the proposal aims to redefine the human-nature relationship while promoting environmental restoration.

The renders depict floating plastic-crate islands in post-flood Tokyo, designed to be mobile, adaptable, and ecologically beneficial. These floating neighborhoods reduce storm-wave energy, act as buffers, and improve estuarine environments while fostering a deeper human connection with nature. The system, governed by flexible agreements among inhabitants, encourages shared responsibility and community building. A step-by-step construction manual accompanies the proposal, offering practical guidance for creating these islands and empowering residents to adapt to climate change. While this design explores coping strategies for a climate-ravaged world, it does not endorse plastic use, but instead highlights the urgency of addressing climate issues before such extreme measures are needed.


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